Why does this book can exists?

The whole artform in Europe and elsewhere came on a comfortable turmoil. Sales keep to be smaller and smaller. Youths resigned to purchase these due to inflation, Netflix, Mangas and other factors, and then, for a release for June, the first book of Lila et l'usine à sales gosses only embody what went all wrong to the field of visual novels and that their ways needs to be changed.

Already, reading one of them is become these days, a challenge. The past '10s decade went one where book editors were more busy to adapted the classical series from the past to the big screen (And with live actors too! Oh, my...) and also turning narratives like a bland Saturday Morning-type of cartoons that sounds likely to have never existed. The later time is when they morphed anything like a bland Paid Infomercial, with no consultations to readers if that worth to be done. Julien Neel have do these two mistakes and parts why we keep to plays these criticisms to him.

Aside to be too cartoony, there is one major problem with that cover and that are about about its theme: A troublemaker girl who make pranks in her own school was transfered to another one... but one devoted to past prankers in the same college! It's too absurd to make it a story, by also be silly and just incoherent for make lasting to a series!

And then, Lila looked like a bad hipster stereotype than a real person. Her with headphones in her shoulders appear to me all the more uncomfortable, by be literally a creation from commitees who think to know everything to the youths trends without to go on the background. Seriously, who wear that way in your neighborood?

The old troublemakers-characters-type came from the late-1930s/early-'40s from some American animated shorts, on a time when one suspected that the popularity of movies and other fictional medias makes the children's brains a little more crazy with bad influences that reflect their later personas. If you wanna your troublemaker character to give nuances, make it like the Donald Duck's nephews or Junior from the Sylvester cartoons where the twos are pitted against Hippety Hopper.

But THIS? With a defective industry that continue to repeat the same mistakes, but with newer characters all-over, it's Le Lombard to act at cynical, preaching us for no rhyme or reason, but never realized the error that came by. Anywhere who speaks english just saw it at visual junk. The Asians seen it at too harder to read by even copy their execution to planned sequences. In North America even with the share of the language, it's as if in France or Belgium, they are kinda obsessed with troublemakers or spoiled-brat characters who act at rebelles, but that sounds stupid and vitriolic if you do the same thing in the real life.

To me, this is again too many wasted papers to make it a book by destroyed the biodiversity that we do need for breath, live or ate.

There's no ways to justify this title: Grow up, Lombard!