Because there's some treasure in there, like Mitari Gakuen (aka Mitari no Sono).
Launched since few years old for the very ill-fitting HentaiEra website, the Manga is about the tribulations of a guy name Kei whom, has growth a foot fetish. One day, by helping a girl from his class, Fukamori, his own excitements put him on an haul of rampage and angst when he is looked on Fukamori's feets by not only captured her foots through his phone, but to lick it...?!?
But when the others classmates (as girls) have known the conspiracy behind Kei's fetish for feets and to have intimidating Fukamori by lick her feets, it's up to them, to not only keep to abuse violently this voyeur by protect her, but every girls started to goes menacing to him, by even kicking by reaharsal his b**lls on any directions, make him lick their feets like a slave and even seen his teacher and doctress taking care of his own medicine. That went to a very hilarious Manga to follow that is about around 99.5% of the stuffs posted there obviously lacking.
For known better the evolution of how the Kei's long ordeal went on, better to read it through its beginning to what is currently done. I was surprised to find it hilarious by also giving some light inspirations to make The Two Meter Tall Friendship at a centerpiece for a school boy with a fetish for... masturbation and blowjob. (See the Kei's influence here.)
Ep. 105-140, 168 and 179-183 are currently unavailable.
Ep. 141-152 (Japanese only)
Ep. 184-200 (Some pages are available in Japanese only)
Ep. 201-237 (The more current arc to date by keep to be updated in regular basis.)
It is outstanding that for a longtime, the origins of the project have to be about Lydia's long ordeal on her new school by a students transfer, (They will have some explanations about that later if the project continue to growing) it's muchly about her longtime childhood friend and his lewd masturbating impulses. That make a story that clash together if the first time I have trying it, it was abandonned after a fewer pages if there was too much Christine-like in the earlier pages.
That was also been like a social commentary of how too much heroines characters ended up to be repetitive and formulaic each other, by also been more cynical on its standpoint. The days where the Disney's version of The Little Mermaid or Sailor Moon has offered much exposure to ressourceful female characters for caught the little girls attention is now in the hands of some Pedo-freaks. This is what the '10s era by Frozen first was seen as a regression to showing more feminine roles without fanservice or sexual outings. Consumers don't care if it's basically the same thing telling over and over. And executives and producers aren't better if they took profit to it.
This is where does my logic that several BD and comics works need to include some "Brand placements" in the story like the same thing did on TV shows lots of times. For those who went by a complain, back in the '60s, comics pages were originally seen on magazines, with some ads filled here and there. The inclusion of these characters on real-life ads spots meant that be a cartoonist was a serious job. For over a mid-century, BDs magazines have no choice to be sponsored by themselves for attract solid sales, like the '70s and '80s cartoons of old. Despite to be claims like Infomercial on a narrative, the author of TVA's Indéfenable have took the step first.
With many announcers and governments who abandonned traditional medias for the ones from American streaming platforms, the inclusion of Brand placements in a National show is probably the final step to keep our TVs alive and teached to audience the difficult reality of our Television. We need to says the same for most BDs, comics and their likes if young people don't longer read this and that some parents never would accepted their kids to read it anywhere, even not at home. That would preventing the amount of pointless verbal violence, repetitive dialogues with lots of bad slangs, oversexualization of women and also racism featuring in these things.
Adding real-life brands names in a comic story is also the only way for we, artists and authors, to stop playing the self-righteous in our narratives and be serious in the job. Like when Spirou, Pilote and many fanzines have plastered some ads in the past, for seek a revenue and pay the artists. Because who, at a comic author, is actually well-paid nowadays except the Albert Uderzo's works descendants?
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