This change of mind went from a series of factors: The elite of the graphic novel artform who make fun of the normal, working-class people and also, the artists, illustrators and other people on the job is all the more irking. Them, posed since over two decades like a bully to many parents groupings, who still pretend (Even if it's the case) that many series that "supposed" to targeted youths and children contains much discarding segments of sex, violence, coarse language and crass humor than any shows seen for grown-ups on Prime Time. Like with animation thesedays, this artform had a problem of growing with Digital, which meant it have to please an audience who only known the world by the obscure webpages.
Fans tent to exagerated and overreacted on anything, which makes their talkings in social media all the more baffling. Back in 2016, Charles Kenny have aware us of the discord that surrounded between creators and fans, and that the latter tent to have lose completely ANY insight with reality, which makes open the bar to more lewd impulses to women and also, kids for that matter.
This demonstrate that everything we've created for make lasting-changes in any capability appear like an illusion, which it's probably not the executives' fault, of course, but to social media and the very rabid fans and Influencers who take over all the creative industry. Letting them stealing the jobs of a real artist who need it for feed family and pay bills.
Because I have created eleven adventures of Christine on the course of a decade-and-a-half, such mini-stories and also an impressive series of gags pages that lasted the nearly 100 number is typically, an achievement, for someone who has never worked for a book editor. And that was it.
Any attempts from me in the past three years were soured to the fact that maybe, my artistic status has passed its prime and that everything made by Post-2022s staying to me suspect, or that you need to hired massochists predators for make the job, like the rampant mainstream mess about the Netflix's animated film K-Pop Demon Hunters, where cynicism is getting rear its ugly claws again in the animated features industry and why for over a decade, I can't longer watch a series or a movie without have the feeling that this may be just a mere brain-washing experiment.
This is why I argue for years that the fantasy world if full of rotten fanatics who want the job, not because of talent or actual life-knowledge, but to please followers in Tiktok and also, ego -- The artist's most perpetual worst enemy in any kind.
One have to blame Chuck Jones for at least, displayed the "ego" thing in his own latter, Post-WBs work, but he went still able to keep working in newer animated works with a full budget. This is not him who was in charge of that now-on haphazard Road Runners from Format Films (Every of them directed by Rudy Larriva, one of his inaugural animators that date back to the early-1940s) that is visually an outrage to what has done in his 24 shorts' series that were likely a tribute to the spot-gags of old by remaining the same two characters for the same plot. A little like why his own Tom & Jerrys were figured like there.
And that with Artificial Intelligence, the bubble-like culture by the likes of Spotify, Netflix or Disney+, the algorithms from the Tech monopolies and that many people went soured by the increasing cost of essential needs and to losing service on their own areas, just cutting to the creative world wouldn't hurt anyone, even if that appear to me very silly to think everyone's born to been an artist while in reality, that went with a series of challenges and shown your proofs to serious judges.
Do you know which properties are the ones who still make money thesedays? Tom & Jerry for classic animation and Asterix the Gaul for the comics stuff. Their worldwide appeal stays unbreakable on the sea of forgettable, predictable and frankly, tepid short-series that went more about fanservice than reach a real goal.
This is by it that killed my interest for Elles. I have says already my impression here and also here in this blog. The character is sadly what looked like the official re-incarnation of Daffy Duck from the monotonous and ill-fitting Depatie-Freleng era. I can just have the image of that bitch chasing an annoying Mexican faster mouse.
Instead to created stock heroines who exists only for lured metrosexuals and their sexist schemes, I would like a lot that many people in Holidays think more to the people who came with mental health, itinerance, the many traumas from worldwide wars or any sick seniors or children who wait a "miracle" in order to heal and own a better life as possible. I would like them to went on a real hospital, a school, a retirement house, by do benevolent and helping the crew who went crazy by the many changing plans of our own government. Many celebrities and artists would learned to it, by lacked completely any steps of respect or empathy to the public who have make them a living since the October 7th 2023's Hamas' mass-attacks.
To me, working on such NSFW (Not Safe For Work) complete artworks is far more thrilling and endearing than it was on my comics pages of old, where the energy and fun are no longer here. The passion of it has gone as long I known the murky reality of the creativity world is full of haters and losers who just known the society by Memes, without known the sources that went by.
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