Graphic Novel: The elitist edge of visual novels

The overall problem of the Graphic Novel elite is obviously in the eyes -- That went where as drawing funny characters are kind of a "joke", but they utilizing it for make them more sophisticate with a sort of convoluted face to all people who ask them such of silly questions.

The one series of stories I used to read more were the "All Ages" stuff, like Gaston, Peanuts, Asterix, Smurfs, the original Walter Melon, Cubitus, Garfield and others. Here, it's as someone who tried too hard to be edgy or went with nerve-wrecking, that resulting the existence of Contro Natura (Seen at right). Anyway, who ever buying this?

I have repeated tons of times about my departure of the Anthro community, to how it keep to regressed any minute and that their reception to the real-life is all the more frightening. Disney's Zootopia and crappy Fan-made stuffs like Helluva Boss don't need any explanation of why such hysteric freaks enjoy these -- They have no lives, no jobs or no relatives by made "themselves" a fictional character in order to harass the others people in the internet. That was a dubious problem of the online world by the 00s.

What Glénat doing with this obnoxious left-winging attitude is the same of why everyone says that "PIXAR SUCKS NOW!", that their latest animated feature were even sabtoaged by Disney itself. When the company have purchased the innovative studio by 2006, it was an attempt to be free of that "dork age" that had cemented the Disney studio from the 00s, but now, it's borderline that just be a creator thesedays meant anything now.

 

The Americans and Europpeans seems to enjoy in privacy this smarmy elite who love so much to lecturing us about composting, inclusion, diversity and social justice, but you barely seen them admiting that all this is a Paid Infomercial. Because you need to "plug" the whole thing in your narrative, if it's that way authors could own royalties for their work. You know that it took one or two years or more before someone gets actually PAID for the selling copies?

While I doing mine's, I avoid any pretention for what medium I striving for. The Lydia Golan project is on display for a month and that is a sigh of relief after two years to search my own feet and not knowing what kind of future the cultural world will be like. If AI make easier the release of a tune, movie or book, what about the human beings who worked there...?

But the graphic novel world continue to snub by shown anytime their own dimsay to the toxicity of our world, by even claims that reading Boule & Bill is not cultural. No, they aren't. But this is stuff like this that help these to keep this murky artform in life. Glénat need to stop overwhelmed their books release with the real-life climatic emergency that cause of many wildforest fires or that many senior people, schools or hospitals don't even have air conditionning in the rooms, ON 2025! WHAT THE HELL IS THAT?

Instead to shown dimsay to the Netflix, Spotify or the screentimes that brainwash our youths, why not says to these darling book editors if they'll actually pay royalties to the people who make these? Medias endorse it like if it's art, but in the real-life, it's all fillers made by people who wanna be edgy or cool, but hide themselves a sneaky agenda. Graphic Novels are surely not made for everyone and that shows by these two examples seen above. It would be more intriguing if the characters weren't just loud-mouth jerks who copy South Park lines that has stopped to be funny while we do reaching adulthood.